At Any Age ~~ by Kate McGinn

At Any Age ~~ by Kate McGinn

Today I turn 59 years old. It’s hard to believe that only four years have passed since I began to seriously proceed on my writing journey. I’ve always written stories as soon as I knew how to read and write. When I was young, I dressed up in some type of costume or outfit living out the fantasies in my head as a part of my play. 

As my younger sisters grew, I included them in my make-believe worlds assigning them roles. Our little trio did pre-school improvisation presenting our playacting fun to our family.  I wrote songs (bad songs), and to this day my sister and I remember one of them and can sing it. No one, trust me, no one wants to hear it.

In high school, an English teacher thought enough of my stories to submit one to a national competition. It didn’t win any prizes but knowing that he’d thought enough of my work to submit it made me so proud. Why didn’t I end up writing my first book until I was fifty-five years old?  Life — it’s that simple and that complex.

I hear writers lament about not starting sooner or worrying that the fact they began writing, later in life diminishes their creativity in some way.  As if being an empty-nester or a retiree, somehow lessens the validity of what they are doing. The words and phrases like “hobby”, “time on my hands”, and “writing for the enjoyment” reduce the level of professionalism and creativity because the author is older.

When I was thirteen years old, I visited my uncle and aunt in Newtown, Connecticut for a summer. My aunt’s grandmother had painted several canvases I’d admired. One was a masted ship sailing on an ocean, another illustrated a lush Japanese garden, and the third painting depicted a scene showing my young cousin playing at the beach. I remember these works vividly, and also that my aunt’s grandmother was in her nineties when she began painting.

Toni Morrison published her first novel at age 40. Dorothy Allison, the author of Bastard Out of Carolina was 42 years old when it hit the scene. George Saunders was an environmental engineer before becoming a best-selling author at age 37. George Eliot published for the first time when she was 40. The author of  White Oleander, Janet Fitch, knew she wanted to write at age 21, but didn’t publish her first book for another 18 years. Even Mark Twain didn’t write Huckleberry Finn until he was 49! Other authors who had their first breakthroughs after their mid-thirties include: Cheryl Strayed, Laura Ingalls Wilder, and Maya Angelou.

Being older doesn’t negate the creative voice, but it can accentuate the depth of life experiences we bring on our writing journey.  I’ve had over forty years of heartbreak, love, sadness, triumphs, failures, and joy that my young teenaged self hadn’t experienced yet. I worked as a nurse for over thirty years, served as an officer in the U.S. Army Reserve, became a wife, a mother, and a bed & breakfast owner during those years. I lived in Texas, Florida, and Italy. I traveled to multiple countries and across the USA. Every single memory good and bad influence the words I place on the page.

It’s never too late to tell your stories. Don’t ever let your age whether young or more mature (like me) stop you from pursuing your creative dream. It is valid at any age.


OMP Admin Note: Kate McGinn is a writer and OMP Network member – one of a group of networkers who will be blogging on a regular basis on various causes and issues. Kate hopes to spread awareness of the issue of American Veterans returning home to less help than they deserve. EMMAUS is one of the two main charities we are supporting.

Kate McGinn’s fiction can be found on Amazon in the flash fiction series BITE SIZE STORIES (Volume Two) along with five other guest writers and in the One Million Project Fiction Anthology. Her Clare Thibodeaux Series which includes the suspense books — EXODUS, WINTER’S ICY CARESS, and NEVER SHOW YOUR HAND — is available on Amazon and Kindle Unlimited. Kate’s stories can also be found in the magazine — Mom’s Favorite Reads available on Amazon and Smashwords.

https://www.amazon.com/-/e/B01KUKTYFQ

https://www.amazon.co.uk/Kate-McGinn/e/B01KUKTYFQ/ref=sr_tc_2_0?qid=1473258097&sr=1-2-ent


Our short story anthologies written by over 100 writers have been recently published (links below) with all proceeds being donated to the charity organizations our group supports.

If you are a Kindle Unlimited member, you can read the complete anthology for FREE, and KU proceeds are donated along with the proceeds from the sale of our anthologies.

Our volunteer authors love to see reviews, and every review helps to make the One Million Project’s books more visible to Amazon customers, assisting us in our mission to raise One Million Pounds / Dollars for EMMAUS Homeless Programs and Cancer Research UK.

LINKS

myBook.to/OMPThriller

myBook.to/OMPFantasy

myBook.to/OMPFiction

myBook.to/OMPVarietyAnthology

 

Fear of the Unknown~~by Kate McGinn

Fear of the Unknown~~by Kate McGinn

“You need surgery.” Those words can spark a jumble of emotions in someone. Even someone with three decades of experience in the nursing profession. How many times have I recited the risks of a surgical procedure to the people in my care prior to their own surgeries? They have been too many times to count.

The same feelings of uncertainty can be felt with any illness or medical procedure. We silently wonder at what will be found and how it will affect our daily lives. We worry about how our family will cope if we are unable to work or perform the daily tasks they depend on us to complete for them. In today’s fast-paced world our families are busy and spread out across the country. A health complication might mean a stay in a rehabilitation center or care center if the patient needs assistance during their recovery.

When you read this blog, I will be in surgery having a total knee replacement. It’s a commonplace surgery and has been performed since the Sixties, but when it’s your surgery that feels different. My unknown future and the lack of control are at the top of my list of worries.

As we progress through life, we face challenges and need to make decisions regarding our futures. We have some control over those decisions, but the outcomes are not guaranteed. You can do everything right and still not attain your goal. When you place your life and your health in the hands of the medical staff, you give up some of that control.

You can pick your doctor, your hospital and can make the decision to have the procedure. You can do background checks to see if the medical center has a good rating and your physician is certified and has a good reputation, but you can’t control the randomness of life.

I often recite two sayings and these little ditties guide my general philosophy of life. They are: It is what it is and If you want to make God laugh, tell him your plans. The first one is a cliché that might imply you don’t think you can fix the issues in your life, but to me, it means that sometimes life has moments where the only control you have is over your response. The second phrase coined by Woody Allen reflects on how something can still come to pass despite all we do to prevent such an outcome.

How am I dealing with my pending surgery? I have my will and health care power of attorney completed. I’m eating as healthy as I can, doing the isometric exercises my physician recommended prior to surgery, and I’m keeping a positive attitude.

My positive attitude is all I really have control over now, during and after.


OMP Admin Note: Kate McGinn is a writer and OMP Network member – one of a group of networkers who will be blogging on a regular basis on various causes and issues. Kate hopes to spread awareness of the issue of American Veterans returning home to less help than they deserve. EMMAUS is one of the two main charities we are supporting.

Kate McGinn’s fiction can be found on Amazon in the flash fiction series BITE SIZE STORIES (Volume Two) along with five other guest writers, and in the One Million Project Fiction Anthology. Her Clare Thibodeaux Series which include the suspense books — EXODUS, WINTER’S ICY CARESS, and NEVER SHOW YOUR HAND — is available on Amazon and Kindle Unlimited. Kate’s stories can also be found in the magazine — Mom’s Favorite Reads available on Amazon and Smashwords. And also on “The Stories We Tell” podcast on Google Play, Libsyn, Spotify, and http://www.paulsating.com/the-stories-we-tell

https://www.amazon.com/-/e/B01KUKTYFQ

https://www.amazon.co.uk/Kate-McGinn/e/B01KUKTYFQ/ref=sr_tc_2_0?qid=1473258097&sr=1-2-ent

https://www.katemcginn.com/


Our short story anthologies written by over 100 writers have been recently published (links below) with all proceeds being donated to the charity organizations our group supports.

If you are a Kindle Unlimited member, you can read the complete anthology for FREE, and KU proceeds are donated along with the proceeds from the sale of our anthologies.

Our volunteer authors love to see reviews, and every review helps to make the One Million Project’s books more visible to Amazon customers, assisting us in our mission to raise One Million Pounds / Dollars for EMMAUS Homeless Programs and Cancer Research UK.

LINKS

myBook.to/OMPThriller

myBook.to/OMPFantasy

myBook.to/OMPFiction

myBook.to/OMPVarietyAnthology

Writing & Recording

Writing & Recording

When I was a little girl, oh so many decades ago, my first form of storytelling was just that — sitting with my younger siblings and telling them a story that I made up. Creating little plays that we could perform in for my parents and grandparents. Playing in the yard, I would concoct a scenario of what we were playing that day. Sometimes we were settlers crossing the vast prairies looking for a place to build our cabin; at other times, we might be cruising through space in our spacecraft. (Can you tell I grew up in the sixties on series like Bonanza and Star Trek?)

Originally, I had planned to write a post on one of the One Million Project’s causes, but I decided to write about something new that I and several other writers I know are tackling in addition to self-publishing our work.

My new venture involves recording my stories for podcasts.  I have done short videos promoting my work and also promotional slideshows with my story recorded as background audio. I used my cellphone and an included app for recording. Recently, I became involved in a group which highlights submissions in their monthly writing challenge in a podcast.

A few of my stories have been selected and other narrators did a fabulous job recording for me. I was fascinated by how they brought the story to life with multiple tracks adding background effects that fit the story.

I read several articles on what microphones are recommendedIMG_3617 for podcasting and was surprised that some very successful podcasters use their smartphones with the microphone and headphones that came with them. I decided I would have more flexibility if I invested in one of the microphones and headphones recommended by an experienced podcaster in our group.

Microphones and accessories like headphones, pop filters, recording programs have a wide range in prices and quality. I think any writer who is interested in recording their stories for YouTube, a promotional video or a podcast should explore their options and select something that fits their budget and needs.

Audiobooks are another aspect to explore. Some of the writers in our podcast group are planning on recording their own audiobooks. If the cost of hiring a narrator or paying royalties on your work for perpetuity seems overwhelming then recording your own work may be the answer if you have the time and patience.

Platforms like Patreon offer an interface that allows writers and other podcasters to offer tiers and followers can opt to support that writer for a specific monetary amount in exchange for access to programs and products available to those who join.

All of these options take time and that means time away from writing, but it is another possible outlet for your books as well as a marketing tool to promote your work.


OMP Admin Note: Kate McGinn is a writer and OMP Network member – one of a group of networkers who will be blogging on a regular basis on various causes and issues. Kate hopes to spread awareness of the issue of American Veterans returning home to less help than they deserve. EMMAUS is one of the two main charities we are supporting.

Kate McGinn’s fiction can be found on Amazon in the flash fiction series BITE SIZE STORIES (Volume Two) along with five other guest writers and in the One Million Project Fiction Anthology. Her Clare Thibodeaux Series which include the suspense books — EXODUS, WINTER’S ICY CARESS, and NEVER SHOW YOUR HAND — is available on Amazon and Kindle Unlimited. Kate’s stories can also be found in the magazine — Mom’s Favorite Reads available on Amazon and Smashwords, and on “The Stories We Tell” podcast on Google Play, Libsyn, Spotify, and http://www.paulsating.com/the-stories-we-tell

https://www.amazon.com/-/e/B01KUKTYFQ

https://www.amazon.co.uk/Kate-McGinn/e/B01KUKTYFQ/ref=sr_tc_2_0?qid=1473258097&sr=1-2-ent

https://www.katemcginn.com/


Our short story anthologies written by over 100 writers have been recently published (links below) with all proceeds being donated to the charity organizations our group supports.

If you are a Kindle Unlimited member, you can read the complete anthology for FREE, and KU proceeds are donated along with the proceeds from the sale of our anthologies.

Our volunteer authors love to see reviews, and every review helps to make the One Million Project’s books more visible to Amazon customers, assisting us in our mission to raise One Million Pounds / Dollars for EMMAUS Homeless Programs and Cancer Research UK.

LINKS

myBook.to/OMPThriller

myBook.to/OMPFantasy

myBook.to/OMPFiction

myBook.to/OMPVarietyAnthology

Lost Weekends ~~ by John Nedwill

Lost Weekends ~~ by John Nedwill

If this blog entry is posted when I think it is going to be, then you shall be reading this just as I am recovering from a rather busy weekend. There are some of you who may remember how, in a previous post, I wrote about being a role-player and boardgamer. Well, I am not alone.

One of the ways that role-players and boardgames get to meet others involved in the hobby is by going to conventions – and the UK has a thriving convention scene. There are conventions every month. Indeed, there are times of the year when there seem to be conventions every week! And the biggest one has just taken place at the NEC in Birmingham. I am writing about the UK Games Expo.

The UK Games Expo usually takes place over three days during the first weekend in June. It is the largest gaming convention in the UK. It is probably the largest dedicated gaming convention in Europe (the Essen Games Fair is bigger, but is almost exclusively a traders’ show), and it is a serious rival to GenCon Indy in the USA. For three days, tens of thousands of gamers come from across the UK and Europe. They congregate at the NEC to shop, trade, meet, greet, with gamer-themed shows, go to seminars and – most importantly! – game. There is plenty of that at UK Games Expo: demonstration games, tournaments, organised play sessions and thousands of seats for people to bring along and play their own games.

The convention does not run itself. It relies on a small army of unpaid volunteers to man reception desks, patrol the trade halls, run gaming sessions, set up rooms …  The list goes on. Many of the volunteers are there for the whole weekend, working hard to make sure that the people who have paid to come to the convention have a good time. But, because the volunteers work hard throughout the convention, they rarely get to see what is going on. Still, there is no shortage of people willing to give up their free time for others. The rewards we get (Yes – I’m one of the volunteers) are intangible but worth it. We get to be part of something big. We get the satisfaction of having contributed something to a greater enterprise. We have been the ambassadors for something we are passionate about. We have made a difference.

That’s the thing about volunteering. No matter who we are or what we do, any one of us can make a difference by giving up some of our time to volunteer. Our contribution can be small or large. We can be an organiser or a cog in something bigger. It doesn’t matter, so long as we make a difference.


OMP Admin Note:  John Nedwill is a writer, OMP Network member, and a regular #OneMillionProject Blogger.  His work can be found on Wattpad.com and in the One Million Project’s Short Story Anthologies published in February 2018.


Our short story anthologies written by over 100 writers have been recently published (links below) with all proceeds being donated to the charity organizations our group supports.

If you are a Kindle Unlimited member, you can read the complete anthology for FREE, and KU proceeds are donated along with the proceeds from the sale of our anthologies.

Our volunteer authors love to see reviews, and every review helps to make the One Million Project’s books more visible to Amazon customers, assisting us in our mission to raise One Million Pounds / Dollars for EMMAUS Homeless Programs and Cancer Research UK.

LINKS

myBook.to/OMPThriller

myBook.to/OMPFantasy

myBook.to/OMPFiction

myBook.to/OMPVarietyAnthology

One Small Pair of Hands ~~ by Christine Larsen

One Small Pair of Hands ~~ by Christine Larsen

More often than not the odds against one person making a difference in this large blue planet of ours look insurmountable. But now and then a singular soul emerges and the world is changed – sometimes slowly, but always definitely and often, even dramatically.

One such who springs to mind was a woman of exceptional caring abilities. Undaunted by the death, destruction and despair faced by the recipients of so-called medical care, she totally ignored opposition by friends and the refined life she’d been raised to live by her wealthy family and willingly obeyed her own passionate gut feelings about cleanliness and nursing. Her oft-quoted creed was –

Were there none who were discontented with what they have, the world would never reach anything better.

She was the Lady with the Lamp. Not the one in New York. This precious carer-cum-angel of mercy would shine her special light on the other side of the world – in the Russian Crimea, in the midst of a war between Allied British and French forces against the Russian Empire. Her name was Florence Nightingale and she changed the face of nursing and hospitalisation with her single-minded obsession to rewrite medical care.  Little wonder the British Secretary of War had personally requested her to assemble a corps of special nurses and guide them through best ministrations in the Crimea.

A base principle – indeed the first requirement she demanded of a hospital was that it ‘should do the sick no harm’. Sounds reasonable, even slightly ridiculous to need to state such an obvious premise… but yesterday’s conventional medical wisdom offered little protection against infection to the thousands of soldiers admitted to military medical care. The truth was, more died from infectious diseases than from their battle injuries. The reviled Scutari, the British base hospital where Florence and her lady crew were assigned, was built above a cesspool contaminating the rationed water. Rodents and bugs were attracted to the barely bandaged patients laying in their own excrement on bloodied bedding.

Florence, her corps of female nurses AND the least infirm patients set to work scrubbing the hospital from floor to ceiling. Her newly established laundry made her demands for soap and hot water for the clean bandages and bed linens legendary. Soon this was matched by her dogged insistence on appealing food for all and the satisfying of dietary needs for many.  In her mind, the classroom and library she created were incidentals by comparison, and yet no less important to this shining example of the benefits of education and voracious reading. And through it all, she would make her nightly rounds, lamp held high, tirelessly offering compassion and hope. In an amazingly short time span, Florence reduced the death rate of Constantinople’s Base Hospital by two-thirds. Little wonder the battle-worn and torn soldiers called her ‘The Angel of the Crimea’’.

Granted royal recognition and honour, plus $250,000 from the British Government, Florence used the money to establish the Nightingale Training School for Nurses. At last, nursing would be judged an honourable vocation suitable for inclusion in the proper upbringing of well-bred young women. Florence Nightingale’s massive research published reports and proposed reforms influenced and rewrote medical textbooks and nursing practice forever.

I look at my hands, often commented on about their smallness… and I’m humbled and challenged.

One small pair of hands CAN most certainly make a difference.

The Lady of the Lamp is the ultimate proof.


OMP Admin Note:  Christine Larsen is a writer, farmer, wife, mother, and grandmother from Australia. She has never been homeless or had significant cancer – yet – but has had exposure to both – creating a great sense of empathy and desire to help in any way she can. She is humbled by the opportunity to give one of her stories to the sincerely worthwhile causes of Cancer research and Homelessness.

To find out more about Christine and her work:

ceedee moodling  (Christine’s website)

Christine Larsen, Author

IMG_7208

 

 – on Wattpad

–  on Facebook

– on Tablo

– on Amazon

Old McLarsen had some Farms (farming memoirs)

ceedee4kids (Christine’s children’s book site)


Our short story anthologies written by over 100 writers have been recently published (links below) with all proceeds being donated to the charity organizations our group supports.

If you are a Kindle Unlimited member, you can read the complete anthology for FREE, and KU proceeds are donated along with the proceeds from the sale of our anthologies.

Our volunteer authors love to see reviews, and every review helps to make the One Million Project’s books more visible to Amazon customers, assisting us in our mission to raise One Million Pounds / Dollars for EMMAUS Homeless Programs and Cancer Research UK.

LINKS

myBook.to/OMPThriller

myBook.to/OMPFantasy

myBook.to/OMPFiction

myBook.to/OMPVarietyAnthology

 

Will It ~~ by Mark Huntley-James

Will It ~~ by Mark Huntley-James

I was taught to wear a seat-belt by a chap called Reg White. Some forty-plus years ago, he drove me to school, along with his son and my sister. Cars came with seat-belts factory-fitted by then, but wearing them did not become a legal requirement in the UK until after I left school. The lesson was a trivial car crash – no more than a few miles an hour, rolling into the vehicle in front in stop-start traffic. My memory is hazy, but I don’t think either vehicle was damaged. My head, however, smacked off the windscreen pretty damn hard.

It only took one lesson.

I’ve not thought of that in years and was reminded by a recent drive to Plymouth for a hospital appointment, and buying a new toilet. Ordinary, everyday stuff, but on the way, we passed a friend’s house, which set a whole train of thought going, all the way back to Reg White.

We have an old Volvo sitting in our paddock. It did good service for nearly twenty years until it got too difficult and too expensive to pass the annual emissions test, the power-steering was becoming unpowered and the gearbox required a mix of good fortune and brute force to select the desired gear. We ought to get rid of it, but there is a certain sentimental attachment – we went everywhere in that Volvo, frequently packed to the roof with camping kit, and even slept in the back for short events. As it turns out, the back of a Volvo 740 Estate is about two inches too short for me to lie comfortably but easier than pitching a tent for one night.

The Volvo is in our will, a bequest to the friends on the road to Plymouth, a bit of posthumous housekeeping, or paddock tidying. That clause is redundant now, as the Volvo-fanatic friend on the road to Plymouth died a year or more back.  That set me wondering how many more of our odd bequests will pre-decease us?

There were a few of those in my Mother’s will. I don’t think she ever actually told my sister or myself that we were her executors, so it was a bit of a surprise after she died that we had to go and pick up the will from her solicitor. It was all quite straightforward, the bulk of her estate divided up amongst family, but like our own wills, there were redundant bequests, including Reg.

One of the last times we saw Reg was small get-together we hosted – my family, some friends of my partner, Reg and his wife. He was already ill by that point, prostate cancer held at bay, and not noticeably unwell. He tucked into the chicken in cream, almond and mushroom with enthusiasm (Reg was a bit of a foodie before the word was invented) and then had a portion of the vegetarian option. His prospects were good – prostate cancer is often slow – but his proved aggressive and unpleasant in the extreme.

So there it is, a train of memories back to a lesson in seat-belts from a man I remember as generous with time and tales, patient and devoted, and a life cut short.


OMP Admin Note:  Mark Huntley-James writes science fiction and fantasy on a small farm in Cornwall, where he lives with his partner and a menagerie of cats, poultry and sheep.

He has two urban fantasy novels out on Kindle – “Hell Of A Deal” (http://relinks.me/B01N94VXBC ) and “The Road To Hell” (relinks.me/B07BJLKFSS  ) – and is working on a third.

He can be found online at his blog http://writeedge.blogspot.co.uk, his website (https://sites.google.com/site/markhuntleyjames/), and occasionally on that new-fangled social media.


Our short story anthologies written by over 100 writers have been recently published (links below) with all proceeds being donated to the charity organizations our group supports.

If you are a Kindle Unlimited member, you can read the complete anthology for FREE, and KU proceeds are donated along with the proceeds from the sale of our anthologies.

Our volunteer authors love to see reviews, and every review helps to make the One Million Project’s books more visible to Amazon customers, assisting us in our mission to raise One Million Pounds / Dollars for EMMAUS Homeless Programs and Cancer Research UK.

LINKS

myBook.to/OMPThriller

myBook.to/OMPFantasy

myBook.to/OMPFiction

myBook.to/OMPVarietyAnthology

 

Mom’s Favorite Reads Emagazine for April 2019

Mom’s Favorite Reads Emagazine for April 2019

Mom’s Favorite Reads, a magazine for the modern Mom, #1 on the Amazon charts six months running!

Our April magazine, now available to download FREE.

In this issue…

* An exclusive interview with Sunday Times bestselling author Lesley-Ann Jones

* Easter stories and activities

* Recognising Autism Awareness Month

* The Birth of Rock ‘n’ Roll

* Challenging your fears

* And so much more

https://moms-favorite-reads.com/2019/04/20/moms-favorite-reads-emagazine-april-2019/

Paul Glanville, Remembered: More Than an Author

FeaturedPaul Glanville, Remembered:  More Than an Author

I had a friend named Paul Glanville. We were both authors and had connections to each other through Amazon’s writer’s forum, WriteOn, and later through Wattpad. I don’t know if I’d read any of his work before we began conversing on Facebook Messenger.  He was working on his horror story, Mirage, and I had self-published two suspense/thrillers and was working on a third.

He asked if I would read his work-in-progress and I agreed. Over a year or more, we would discuss writing, books, publishing, marketing, cover designs and a multitude of other topics related to our work. I knew he lived in California, and he spoke lovingly about his wife, Claudia. He considered himself a lucky man to have her in his life.

I know he had a generous spirit. When he learned that I had recently traveled to Cali to see my son and his wife, he told me that the next time I planned to go to LA I needed to let him know. He wanted to invite my husband and me to dinner.

Paul wrote his stories with courage, bringing the reader into a horrific world where sadistic people hurt the powerless for the thrill of doing it. It takes courage to write something some people would condemn as too graphic, too violent. He wanted his front cover to have a human skull on it. I thought it would be best to not have it be so obvious. He compromised and put it on the back cover. I believe I’m not as brave as Paul.

His writing does what it should do — it brings out an emotional response in his readers. I experienced revulsion, anger, and sadness as I read his scenes. This is every writer’s goal. I wanted to see his characters get revenge and cheered his protagonist on. He didn’t sugarcoat the horror in his story. He didn’t skirt around the darkness that belonged to the serial killer who preyed on women in his book.

He gave me a signed copy of his book, and I’m humbled at being included in the acknowledgments. I was shocked to learn of his death. I still have him included in my list of Facebook friends and miss his evening posts on Messenger looking to chat about writing.

I miss him, but I’m not the only writer I know who feels his absence. Below are some others…

Douglas Debelak

I never met Paul in the real world, nor did we discuss much about our personal lives, but it is the same for many of us who consider one another friends far more than just FB friends. I think that I can say that I was a friend of Paul’s and felt a deep sense of loss, hearing of his passing. In addition to our interaction through Amazon WriteOn, we had a number of personal conversations through email. Paul read and critiqued many of the short stories I wrote for the Weekend Write In. In addition to Mirage, I read many drafts of Paul’s books and short stories, about which we had some deep and honest exchanges.

Paul sent me a printed and signed copy of Mirage, for which I’d just started writing a review when I heard that he’d passed. I’ll happily pass that on. I’ve had no interaction with Claudia, other than her acknowledgment of comments I left on Paul’s FB page following his death.

I think his novel Daphne was excellent. It was as provocative as Mirage in its own way, as explicit, while not as dark as some of his other material. Paul wrote some dark stories about the monsters that are real, but most us shy away from, the human monsters. He did not shy from looking into the souls of those monsters. Mirage was only one of those. I don’t know whether any of Paul’s other short fiction are still online anywhere, but he wrote one that ended with a woman, still alive, in a lobster trap as bait. One of those most chilling and vivid images I recall reading.

I never felt I had to soften anything in my discussions with Paul. I could be as dark as I wanted, without ever being judged. Although Paul wrote about evil, I sensed he was a good man. I liked him and miss him.

The text for the draft of my review of Mirage is below:

The first thing I’ll say about Mirage is that it is a finely crafted story. It is riveting. It is dark. It is edgy. It is graphic. It is disturbing. It is not for everyone. But the author makes that crystal clear in his disclaimer in the front of the book. Could he have backed off on the graphic content just a smidge? That’s a hard call and it was his to make. I think that may have made the book more accessible to a wider audience and possibly more commercial. But, if you are into stories about serial killers, who, if you haven’t figured that out, are sick, sadistic animals who care nothing about their victims and do sick, horrendous things to them, then perhaps a less diluted and sanitized offering is in order. I think this author provides you exactly that.

I found this a short compelling and interesting read. I highly recommend it.

<><><><><>

Christine Larsen

I, too received a signed copy of Paul’s book ‘Mirage’ as thanks for a small part I played in advising about some Aussie-isms.

In between help and advice we shared about our writing, I discovered a side to Paul that not so many may know – his love and knowledge of music… particularly Latin American.

In his book ‘Mirage‘ he had his beautiful MC, Celeste, softly singing a popular song to her rescuer. We are all familiar with the traditional version of Cielito Lindo, played by mariachi bands everywhere and Paul sent me a link to a fine rendition, but he wanted a sweeter version and went searching.

I still have his words from a private message –

That’s the only way I ever heard this tune, although for Mirage, I imagined it sung as a ballad. And then I found this:

https://www.youtube.com/watch?v=qMIdNmxISms

 

Such a beautiful version has an added dimension to its poignancy now that Paul’s gone.

<><><><><>

I leave you with a short story Paul wrote for the One Million Project’s Thriller Anthology —

The Detour

by Paul Glanville

A routine day takes a detour when an airliner is hijacked. Paul is an Embedded Systems Engineer by day and has been writing for himself since WordStar was popular. He has only recently begun to share.


I am a glorified bus driver.

I start every day in Jakarta. My passengers get on, and I take them to Banda Aceh, with a stop halfway at Pekanbaru. There’s about an hour traveling between stops. We pull up to the terminal; a few passengers get off and some cargo from under the floor is unloaded. Then new cargo is loaded, some passengers get on, and after about a half-hour, we’re on to our next stop. When we get to Banda Aceh, we turn around and do it in the opposite order on the way home.

Banda Aceh is a resort town. You may recall hearing the name; it was hit by a tsunami in 2004. That was a terrible disaster, but it’s all cleaned up now, and we’re the cheapest way to get there from Jakarta. We take longer than the others, who go there directly without stopping three times, but if you’re one of my passengers, we’ll get you to within a short taxi ride of the resorts before noon.

I’ve been flying for decades: first for the Indonesian Air Force, ferrying men and supplies all over the country. Now I’m the captain in a small regional carrier, doing almost the same thing as before.

The job is not nearly as glamorous as people think. It’s mostly preparation for an awesome responsibility, every day.

My favorite part is taking off. You push those throttles forward, and the engines gradually spin up to full power. The A319 strains, but you have the brakes on. Finally, you release the brakes, and you’re pushed into your seat as she leaps forward. About halfway down the runway, you pull on the yoke slightly, the nose gently rises, and the world disappears from view in the main windscreen. The feeling… the rumbling sound of the wheels on the tarmac goes away; it’s suddenly quiet as you lift up. “Wheels up!” you command, and your copilot flips the lever. Three green lights turn red then extinguish altogether. “Wheels up!” your copilot responds. Above the clouds, the sun shines brilliantly. She wants to fly. There’s no feeling like it, and I get to do it several times a day. You look over to the man in the right seat. “She’s yours.” You feel him take the controls and you let go. Now you can relax a bit and enjoy the ride from the best seat on the plane.

Landing is the tricky part. If you just aim the plane down, it’ll accelerate like a roller coaster, and you can’t land if you’re going too fast. Getting up is easy, but it’s a delicate balance, getting back down.

I’ve got thousands of hours more experience than my copilot, and he’s not going to get any more if I fly the plane all day every day, so I hand it off. I usually let copilots land, too. Again, they need the experience more than me. After a while, the company changes my crew: new copilot, new cabin attendants. I’ve had the same flight crew for months, and we talk about each other. We know each others’ personal lives: who’s married, who’s dating, what’s happening in their families. It’s less of a boring grind than it otherwise would be.

***

We just took off from Sultan Syarif Kasim II International at Pekanbaru—next stop: Banda Aceh—and we’re climbing through broken cloud past 5,000 meters, up to our cruise altitude of 8,000. Ninety-seven passengers, mostly tourists. I’d just handed off the controls to my copilot, Martin Ramirez, when I got a call from the forward flight attendant’s station.

“Captain, there’s a disturbance…”

Then, I heard a lot of noise. “What’s happening?” I asked.

The cockpit door suddenly burst open. It’s not supposed to do that after I lock it.

A lot of screaming and yelling. A stewardess fell backward, landing hard on the cockpit floor, and three men followed, stepping over her as they barged in.

“We’re taking control!” one of them said. He held up a hand grenade. That got our attention like nothing had ever before. I looked over to Martin. He was looking at the grenade as if he was watching his life count down.

“Martin!”

My copilot ignored me, still focused on the intruders and the weapon.

“Martin!” I yelled.

He jumped and looked back at me, his eyes wide-open like saucers.

“Martin, I’ll handle this. You fly the plane!”

He blinked then nodded. “Yes, sir!” He gulped and turned to face the controls. He was scared but doing his job.

“I give the orders here!” the leader said.

I turned to him. “Sir, I’m the captain, and I can order everyone to cooperate with you.”

“Fuck you! I give the orders! Do you hear me, asshole?” He was still excited.

I had to calm him down. “Loud and clear. You give the orders. I have the authority to do whatever you want, okay? Just tell me what you want, and I’ll make it happen.”

The leader’s demeanor seemed to relax a bit, although the other two still looked pumped to their eyeballs with adrenaline.

In the calmest voice I could, I asked, “Tell me. What do you want?”

“Take us to Mecca!”

A hijacking. I was almost relieved.

“Martin, we’re going to Mecca.”

We’ve had more than our share of radical Islamic-inspired violence and terrorism, but we’ve been in relative peace for most of the last decade. I looked at the three again. They were certainly “True Believers,” but were they part of some radical group? They got a grenade aboard somehow and the door might have been weakened—was someone in the ground crew involved?

“Uhhh.” The stewardess began to stir. “Sorry, sir.” She got up to her hands and knees. “I couldn’t stop them.”

“That’s okay.”

“Get her out of here,” ordered the leader.

The two other men grabbed her, roughly lifted her up, and shoved her out of the cockpit. She fell on her belly and slid down the aisle. I wanted to get up and stop this—a hijacking is one thing, but nobody abuses my crew! What could I do without getting everyone killed?

The leader spotted the jump seat and sat where he could keep an eye on us. “I’ve got everything under control here. You two, guard the door.”

“Okay.” They left.

By now, even the passengers in the tail knew something was wrong.

“Good morning. This is your captain speaking. We’ve had a disturbance in the cockpit, and we’re working on it, so there’s no cause for alarm. In the meantime, please remain seated. Thank you.”

We settled in for an uneasy ride.

***

Fifteen minutes later, we started our descent into Banda Aceh. The way it’s done is by reducing the engine power, usually all the way to idle; when you reduce power, the plane slows and you maintain the proper airspeed by gently descending. You can hear the sound of the engines drop, and this alarmed the leader.

“What’s happening? What are you doing?”

I turned. “Don’t worry, we’re just starting our descent into Banda Aceh.”

“No! We’re going to Mecca!” He waved his hand grenade around.

“We can’t make it all the way to Mecca. We have to land and refuel.”

“Don’t fuck with me. I saw the fuel trucks at the airport. You already refueled!”

I looked at the papers from Pekanbaru.

Four hours ago, when we did our preflight preparations at Jakarta, Martin noticed that the price of jet fuel was lower at Pekanbaru, so we made sure to have enough to get there, plus the mandated reserves, of course. You have to understand that planes fly more economically when they’re carrying less weight, and fuel is heavy, so you try to take off with only as much as you’ll need, plus a little extra for emergencies. So, when we stopped there, we partially fueled while we unloaded and loaded passengers and cargo. We knew we’d be back in a few hours on our return trip. The plan was to completely fill our tanks on the return leg and ferry the cheaper fuel back to Jakarta for the airline. The economics of running an airline is a boring part of the job. But today, it became a real problem.

I did the math. The gauges were showing about a quarter full. Forty-eight hundred kilograms. I guessed about 1500 km, give or take. I saw Martin glancing at the gauges. He glanced over to me and shook his head. We didn’t need to say a word. We’d done the same arithmetic and came to the same conclusion.

“We can only go about 1500 kilometers before we have to refuel.”

“I saw the plane getting refueled.” He waved his weapon. “We go to Mecca or else everyone dies!”

I turned and sat back. “Martin, set cruise at 10,000 meters. Point seventy-eight Mach.”

“Captain?”

“I know,” I sighed. “Just do it.”

“Yes, sir.”

I told the flight controller about our situation. Minutes later, we were passing Banda Aceh. I started praying for a friendly runway beyond the horizon.

Every airport in the world has a four-letter code name that our flight management autopilot understands. I asked traffic control for the airport code for Mecca. A few minutes later, I was told that Mecca has no airport, none at all, which surprised the hell out of me. Actually, I was so far beyond surprised that I can’t think of a word for it. Imagine, more than a million pilgrims come to Mecca for the Hadj every year, and there’s no airport in town.

The controller added that the closest airports are Jeddah and Medina; Jeddah is closer; only about eighty kilometers from Mecca.

“You heard the guy,” I said. “We can’t take you to Mecca, but we can get you close, so where do you want to go?”

“Medina!” he answered.

I relayed that to the ground and was given a code to enter: OEMA. I punched it into the Flight Management Console. It’s more than 6300 km away.

No way we would have made it, even if we had been fully fueled, especially not with the plane loaded with ninety-seven passengers and four cargo containers.

“What makes you think we can go all the way to Mecca with this plane?”

“We looked it up on the Airbus website—an A319 can go 6750 kilometers. Banda Aceh to Mecca is less—we looked that up too—so we go to Mecca!”

Martin and I exchanged bewildered glances. This plane can do about 6000 kilometers, if she was topped off. Maybe 6300 if we exhaust the reserves—in light air, or with a slight tail wind, maybe—but a headwind would force us down early. 6700 kilometers? No way!

Martin spoke up, “Hey, boss, that plane you saw in the Airbus site, was that the A319 Neo?”

“I dunno. Who cares?”

Almost whispering, Martin addressed me, “I think Airbus is promoting their newest model on their site. The Neo’s got sharklets.”

Of course! You might have noticed how, on many new planes, the last couple of meters of the wings are bent to go straight up. They’re called “winglets” or “sharklets” because of their shape. They dramatically improve a plane’s performance by roughly ten percent.

Ours is not a brand-new plane. We don’t have that feature, and even if we were full of fuel, we wouldn’t make it to Mecca. As it was, we couldn’t even make it a quarter of the way there. The next land, beyond the horizon, was India, and I was worried that it was too far away. I silently prayed for a stiff tailwind…

We don’t carry international charts that include the Indian Ocean. Why would we? We’re regional. So we really didn’t know where we’re going. We didn’t know which waypoints to program into our Flight Management System (a super-fancy controller for the whole plane, including an autopilot), the frequencies of the navigational beacons along the way… nothing. We were lost in a big sky.

***

“Regional two-niner two-seven.” It was the flight controller.

“Regional two-niner two-seven. Roger.”

“Hi. We understand you’re en route to Mecca.”

“Roger, Mecca.”

“Vector directly to AKINO.”

A waypoint! Thank goodness! We had someplace to fly to! I entered AKINO into the Flight Management Console. Course 274. Almost due west. Sounded about right. I hit the program command button. I felt the plane respond to the autopilot, banking slightly to the right from 270. “AKINO, copy.”

“At AKINO, contact Colombo Control for further instruction.”

“Thanks, Jakarta!” Sri Lanka! I’d forgotten, and it’s closer than India! Maybe, just maybe…

“You’re welcome. Good luck!”

Years ago, we only had radio beacons for navigation. After a while, they started naming the intersections of the beacons; if one beacon was at a particular angle with respect to another, you could tell the controller that you were at a particular waypoint. They’re on the charts. Today, with GPS, we can program our autopilot to go anywhere, and we have a new set of waypoints that are simply latitude and longitude coordinates. Nearly all of them are five-letters long, just as most of the beacons are three and airports are four. AKINO is a GPS waypoint.

It took thirty minutes to get to AKINO. We said goodbye to Jakarta Air Traffic Control, they wished us luck, and we contacted Colombo Control. They were expecting our call and gave us more navigational waypoints in order: TEBIT, HC, MTL, VCRI. That last one grabbed my attention—four letter codes are airports! I glanced over to Martin. He looked as surprised as I felt. Dare we hope? I steadied myself and looked over my shoulder at my “guest” in the cockpit, Mr. Hand Grenade. I entered the codes into the Flight Management Console. The airport was about 80 km further than our fuel estimate.

The controller continued to give us letters and numbers. Mr. Hand Grenade didn’t seem interested.

Have you ever driven your car on “E,” certain that you’ve got another two or three liters before your engine starts sucking air and dies, certain that the gas station a dozen kilometers away is close enough? There is a big difference between certainty and knowledge, isn’t there? No matter how certain you are, you still sweat up until the moment you roll into the station and stop in front of the gas pump, don’t you?

Cruising at ten thousand meters and point seventy-eight Mach, it took about an hour to get to TEBIT. An hour of watching the needles slowly drop, little by little, lower and lower. Ahead, open sea, open sea, and more open sea. The closer we get to TEBIT, the more nervous I got. I watched the gauges and waited, listening for a sputter, a hiccup, anything to hint that an engine is about to cut out, and then the other. I waited for a hint that our quiet glide down to the water was about to start.

TEBIT disappeared from the console screen. I felt the plane gently change course towards HC, another waypoint…

***

“Take the controls, Cap,” Martin said. “I’ve got to use the restroom.”

“Bird’s mine,” I replied as I took the controls. Before our guard realized what was happening, Martin had released his seat belt and was out of his seat.

“Get back! Get back in your seat!”

“C’mon, man. I’ve really gotta go.”

She yawed slightly then straightened out. An alarm went off. An alarm I’d been dreading.

“What’s that?”

“Shit! One of the engines stopped,” I said, clearing the alarm.

“What did you do? Start it back up!”

“I didn’t do anything. We’re running—”

Another alarm sounded as the screens went black.

“Fuck!”

***

Clearing the annunciator, the cockpit was eerily quiet. No whine of the twin turbines; only the whoosh of air.

I was piloting a 55-ton glider.

I heard something slam against something else. The cockpit door slammed. There were sounds of a struggle. I glanced quickly over my shoulder—they were on the floor—and I got back to work. More struggling and then pounding on the door. This time, it didn’t open.

Martin got back in his seat. His clothes were in disarray, his tie and belt missing altogether. He smiled. “Look at this,” he said. I glanced over. He had the grenade! “Notice anything?” He handed it to me. She was flying smoothly, and I didn’t need my right hand for the throttles, so I reached over.

There was something, well, odd. Something caught my eye, and I turned it over—there was a hole in the bottom. “Martin, are you telling me we’re going to ditch in the ocean and my passengers are in mortal danger because of a fucking practice grenade?”

Martin nodded, laughing. “Hard to tell them apart, especially when the bad guy doesn’t give you a chance to examine it.”

There was thumping on the other side of the cockpit door. It stopped, and I got a call on the intercom. It was Sally, one of the cabin crew.

“Some passengers took out the bad guys. We’re good in here,” she said.

“All clear in here too,” I said, looking at our hijacker, lying on the floor, hog-tied with a tie and a belt.

“Cap,” Martin said, “with all the excitement, I forgot why I got up in the first place.”

I laughed. “I’ve got her. Go do what you have to do.”

“Thanks.”

“Oh, and get our ‘friend’ out of my cockpit!”

“Aye, Cap’n.”

He opened the door and cheers erupted from the passenger compartment.

I heard something being dragged on the floor, and the door closed.

***

When the engines died, hydraulic pumps and the generators died with them, taking out the flight controls and the computers. Fortunately, planes like ours are fitted with some very basic emergency backups. When the engines’ hydraulic pumps fail, there’s a little windmill that pops out of the fuselage called a Ram Air Turbine, and it works a small hydraulic pump. It’s just powerful enough to control the plane. There’s also a set of six old-fashioned instruments so we can know how high we are, what direction we’re going, and so on. So, we were flying old school.

One of those instruments, the VOR receiver, came to life. It had picked up the MTL beacon. The receiver showed the direction and the distance to the transmitter; we were 200 km away. At our altitude, that was too far to glide, but if we headed straight for it, we’d be closer to land and maybe some shipping…

It was a long fifteen minutes. Altimeters look like clocks, and I spent the whole time watching ours spin backward.

We’d been in radio contact with the Sri Lankan Air Traffic Controller, and they had us on RADAR the whole time. And, of course, the flight attendants had prepared everyone in the cabin—we didn’t want a repeat of what happened to Ethiopian Airlines 961, another hijacking where half of the initial survivors didn’t even make it out of the plane before it sank.

We were down to our last one thousand meters when Martin spotted a plane coming towards us. I just got a glimpse of it in the right-hand side before it disappeared up and to our rear.

Before I knew it, a big C130 was flying on my side. “Sri Lanka Air Force.”

“Good afternoon,” came over my headset. “We’re here to help. We’ve got divers, medics, and a few power boats from the Special Boat Squadron ready to drop and help your people until more substantial help arrives. A navy cutter should arrive in about half an hour.”

“Roger, and thanks!”

***

Our angel, in the form of a military transport, flew alongside us, talking us down. I can’t begin to say what a help that was. They told us how close we were getting to the water.

I pitched the nose up and slowed the plane. The other plane gently floated away, apparently unwilling to follow us into a stall and a ditching. Then I felt the tail skimming on the water. This is what we’re paid for. You’ve got to keep the wings absolutely level. You can’t let one engine hit the water too soon before the other. If it does, it’ll stop while the other is still going 200 kph, and the plane will break up.

Water washed over the windscreen. When both engines hit the water at the same time, the plane stopped, quite suddenly, from 200 to zero instantly. The nose bobbed up. I could see the sky! I looked around. We were okay. Martin and I went through the shutdown sequence and were out of the cockpit in a minute. The cabin crew didn’t need any prompting. All the doors, including the two, one over each wing, were open, and the passengers were filing out onto the inflatable ramps that double as rafts. Nobody seemed to be seriously hurt. A few scrapes here and there, but everyone was moving on their own. All in all, pretty good. I think my cabin crew is the best.

So, no casualties—except for the hijackers, that is. Nobody had thought to untie them, put them in their seats, and clip their seat belts. When the plane stopped, they didn’t and they met bulkheads.

The Sri Lankans even managed to save the plane—this plane! The divers attached floats to her, preventing her from sinking before a crane and a barge could be brought to the scene. They didn’t have to do that. I think they’re geeks and just wanted to show off that they could.

It took a few months, but she was declared air-worthy again. Well, I hope you liked my story. We’re approaching Jakarta, and it’s about time to start the descent checklist, so you’ll have to leave the cockpit. Nice meeting you. Goodbye.

The End

 

Another wonderful story, Paul! Rest In Peace, my friend…


 

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Paul Glanville’s book — Mirage  — can be found at these online retailers.

https://www.kobo.com/us/en/ebook/mirage-99

Mom’s Favorite Reads Magazine #1 on Amazon Since Its Inception

Mom’s Favorite Reads Magazine #1 on Amazon Since Its Inception

Mom’s Favorite Reads, a magazine for the modern Mom, #1 on the Amazon charts six months running!

Our April magazine, now available to download FREE.

In this issue…

* An exclusive interview with Sunday Times bestselling author Lesley-Ann Jones

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“The Social Network” ~~ by John Nedwill

“The Social Network” ~~ by John Nedwill

Writing is meant to be a lonely thing, isn’t it? After all, the popular image of the writer is that of a solitary figure, closeted away in some garret or study, committing their thoughts to paper. And the actual act of writing is something that is done somewhere quiet, away from people, all the better for the thoughts to flow uninterrupted.

Well, it’s not. Not for me, anyway.

I belong to a number of writing groups. Most of them are virtual affairs, based around message boards, with the members posting online to exchange views and offer each other encouragement. There is always a bit of chatter going on, with the conversations taking place over days or weeks. The nature of the internet means that the members of these online groups are scattered across the world, and they come on at various times of the day. I have made some good friends in these groups.

However, the group that I love best is my local writing group. It is a group of about a dozen members, although we rarely get everybody turning up at the same time. We meet twice a month in the function room of a local pub. The agenda for most meetings is the same: everybody gathers in the bar downstairs for a quick drink, then we go upstairs to start our meeting. We talk about the events of the last fortnight, share our news – good and bad – and then settle down to the evening’s business. Usually, this is a talk from one of the members on a subject of interest, sometimes it is a talk from a local author or a workshop. But this isn’t what is important to us. What is important to us is the companionship.

Writers are not antisocial. We like to talk to other people with the same interests. We like to share our experiences. Most of all, we want to be with people who are like us, who understand what it means to set pen to paper and create stories. And, while online groups are good and have their place, there is nothing quite like getting to know our fellow writers in person – and there is nothing like sitting around a table, talking with friends.

So, if there is a writing group local to you, are you an active member? Do you go along and share your thoughts with other writers? Or, if there isn’t a writing group nearby, have you thought about starting one? You never know who you might meet.


OMP Admin Note:  John Nedwill is a writer, OMP Network member, and a regular #OneMillionProject Blogger.  His work can be found on Wattpad.com and in the One Million Project’s Short Story Anthologies published in February 2018.


Our short story anthologies written by over 100 writers have been recently published (links below) with all proceeds being donated to the charity organizations our group supports.

If you are a Kindle Unlimited member, you can read the complete anthology for FREE, and KU proceeds are donated along with the proceeds from the sale of our anthologies.

Our volunteer authors love to see reviews, and every review helps to make the One Million Project’s books more visible to Amazon customers, assisting us in our mission to raise One Million Pounds / Dollars for EMMAUS Homeless Programs and Cancer Research UK.

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